Photography is here understood as a research-based practice applied to the territory, capable of bridging analytical methods and an authorial visual approach. The work focuses on two main fields: landscape and architectural construction sites. These distinct contexts are approached through a unified methodology centred on the observation of construction processes over time.
In the landscape, attention is directed toward geological, morphological, and environmental dynamics that shape and transform the land. In construction sites, the focus shifts to technical knowledge, operative processes, and the interaction between design, material, and craftsmanship. In both cases, photography serves as a tool to analyse and document spatial transformations, while translating them through a coherent and intentional visual language.
This research is grounded in a structured method: territorial survey, systematic documentation, and the photographic frame as a critical gesture. The approach is designed to interface with research institutions, urban planning agencies, and architectural studios engaged in long-term studies and projects. Photography provides contextualised visual data, useful for interdisciplinary analysis, monitoring, and strategic territorial planning.
Alongside its methodological dimension, the work maintains a continuous balance with artistic vision. Each image is the result of subjective positioning, driven by both aesthetic and political intention. The photographic act does not merely record—it interprets, constructs, and questions. The value of this practice lies precisely in the tension between structure and intuition, between scientific inquiry and visual authorship.